The supposed superhero film with a distinction — aka “Eternals” — arrives this week, and advance buzz is that it’s simply less than Marvel requirements. We’ll weigh in on that one subsequent week, however within the meantime, there are some worthwhile choices, together with Tom Hanks’ tearjerker “Finch” on AppleTV+, the trippy “Spencer,” the large documentary “Attica” and the elegant “Memento Half II.”

Right here’s our roundup.

“Finch”: Few actors can carry a one-person function with the authority of Harmony native/double Oscar winner Tom Hanks. As he did with ease in Robert Zemeckis’ 2000 “Solid Away,” Hanks retains us riveted, despite the fact that he’s the one human onscreen. On this Apple TV+ launch directed by Miguel Sapochnik (an Emmy winner for “Recreation of Thrones”) Hanks performs the lone, dying survivor of an apocalypse. The emotional movie finds inventor Finch taking part in Yoda to a robotic Jeff (voice of Caleb Landry Jones), which Finch created for his much-loved canine Goodyear (an lovely terrier combine) since he is aware of his days are numbered. Zemeckis’ presence as a producer is felt right here, together with his heartwarming tendencies evident on this strikingly photographed end-of-the-world buddy image, which brings a lot wanted coronary heart and soul to the dystopian style. A lot of the movie finds Finch introducing Jeff to the fun and frailties of being human, and it’s touching to behold. Certain, “Finch” yanks on the heartstrings, however so what? It is a pretty, heartfelt movie with not only one, however three distinctive and lovable characters. Particulars: 3 stars out of 4; out there Nov. 5 on AppleTV+.

“Spencer”: Even when your eyes glaze over on the very point out of Netflix’s awards darling “The Crown,” director Pablo Larrain’s surreal re-imagining of 1 stifling Christmas vacation that Princess Diana (Kristen Stewart) spent with “the fam” is one thing you gained’t overlook, a journey by way of hell and again. Stewart’s efficiency is extraordinary, blanketing the haunted and deteriorating mindset of an icon suffocating below the foundations of royalty. Larrain devoutly avoids the trimmings of a routine biopic, selecting to sprinkle in eerie allusions to “The Wizard of Oz,” “It’s a Great Life” and even giallo horror movies. It’s bizarre, however it works. Simply be ready for one wild, typically out-of-control, experience with Stewart all the time exhibiting a gentle hand on the steering wheel. Particulars: 3½ stars; in theaters Nov. 5.

“The Memento Half II”: Whereas Joanna Hogg’s unique semi-autobiographical 2019 function handled the nightmare of being in love with a closeted and mendacity addict, her follow-up is full of rather more shading and focuses on grief and the way it impacts the artist and the artwork. “Half II” picks up within the aftermath of movie scholar Julie’s (Honor Swinton Byrne reprising her position) older lover’s loss of life. She’s left numb and looking for solutions as to why Anthony (Tom Burke) traveled such a damaging path. The illuminating however irritating journey finds her even altering her grad movie after which hashing by way of her grief on the venture — typically to the dismay of others concerned, together with advisors. There’s loads of creative insinuation in Hogg’s eloquent elegy, which co-stars the nice Tilda Swinton (the real-life mom of Byrne) as Julie’s mom — an individual who additionally finds solace within the act of being artistically inventive. Then there’s the ending, probably the most astounding and ideal finales in years. It’ll depart you breathless. Particulars: 3½ stars; in theaters Nov. 5.

“Attica”: Stanley Nelson’s topical, typically stunning day-by-day account of the Sept. 9, 1971, Attica jail revolt is among the most interesting, most vital documentaries you’ll see this yr — or some other yr. The previous Oakland resident offers a clear-eyed historic overview of what occurred and what the ill-fated occasion says concerning the then and the now. Utilizing typically disturbing archival pictures and video clips; incisive interviews with former prisoners and the family of guards held captive; and recollections from key journalists and attorneys; “Attica” recollects how a rallying name for jail reform disintegrated into insanity and finally price the lives of 29 inmates and 10 hostages. Nelson’s movie cries out anew for jail reform whereas exposing America’s deep roots of racism entrenched within the corridors of politicians, police and prisons. Particulars: 4 stars; it’s the opening-night movie Nov. 4 for San Francisco Movie Competition’s Doc Tales sequence (sffilm.org), and out there Nov. 5 on Showtime.

“Operation Hyacinth”: Netflix makes it almost not possible to pluck the pearls from its ocean of titles. That’s the destiny befalling this engrossing truth-based drama from Poland concerning the 1985 botched investigation of a serial killer who preyed on homosexual males. It’s grim stuff that exposes how homophobia was the legislation of the land in Poland, the place homosexual males received rounded up and roughed up by belligerent cops. Director Piotr Domalewski evokes a an environment the place hazard lurks in darkened corridors. Marcin Ciaston’s shrewd award-winning screenplay is terrific, and avoids leaning on the sensational. Domalewski deserves to be recommended, too, for drawing out a tempered efficiency from his lead actor, taking part in set-to-be-wed cop Robert (Thomas Zietek) who turns into alarmed by the investigation and smells rats operating by way of the division. As he digs deeper, he begins to query personal sexual identification. Particulars: 3½ stars; out there now on Netflix.

“Wheel of Fortune and Fantasy”: The previous, together with probability encounters, determine prominently within the three tales that comprise director/screenwriter Ryusuke Hamaguchi’s inventive triumph. Hamaguchi is in full command of his actors, and weaves a seamless, elegant narrative basis. The three tales every contact on characters unable to interrupt free from the bonds of the previous. The primary episode “Magic (or One thing Much less Assuring”) finds two ex-lovers reopening outdated wishes. It lingers within the thoughts like a Raymond Carver story. The second, most erotic, story is “Door Vast Open,” and it issues a scholar’s vengeful act to tempt a professor, which comes with severe repercussions. It’s good. The final chapter — “As soon as Once more” — makes for a wistful end as a university reunion rekindles a girl’s love for an additional, however it doesn’t go as deliberate. It is a movie you give up to, appreciating each transfer because it reminds you of previous loves and regrets. Particulars: 4 stars; now in theaters.

“My Hero Academia: World Heroes’ Mission”: Whereas Chloe Zhao’s “Eternals” divides critics and followers alike, right here’s an possibility that superhero followers can rally round. This sequel to the favored animated sequence from Japan is full of a lot derring-do, near-death pleasure and social commentary (together with swipes at corruption festering inside politics and police departments) it may enchantment to all. It’s fabulously animated and continues the adventures of this band of fledgling heroes as they tackle an evil plot spearheaded by Flect Flip that goals to erase from the planet everybody in possession of a particular potential. Even these not well-versed on this storyline can soar in — like I did — and have a grand time. Particulars: 3 stars; now in theaters.

“The Backbone of the Evening”: A lot of the fuss getting remodeled co-directors/co-writers Philip Gelatt and Morgan Galen King’s darkish animated fantasy issues its excessive violence. It’s true you’ll get your fill of appendage-hacking, however “Backbone” additionally tells an engrossing parable on greed as energy grabbers go after a plant with mystical powers. Lucy Lawless, Richard E. Grant, Patton Oswalt, Betty Gabriel and Joe Manganiello give the characters on this darkish rotoscoped fantasy the passionate voices they want. “Backbone” is a  throwback to the go-for-broke days of “Heavy Metallic,” however not like that multistoried fantasy this one tells a cohesive story. Particulars: 3 stars; now streaming on Google Play, Apple TV and Vudu.

— Contact Randy Myers at [email protected]