Shonda Rhimes is aware of that her firm, Shondaland, is a model. However because the creator of such exhibits as “Gray’s Anatomy” and “Scandal” and the chief producer of many extra, together with “Bridgerton,” Rhimes is a model in and of herself. Requested when she realized that, Rhimes hesitates — however just for a couple of seconds.

“I suppose I’ve to consider myself as a model,” she says. “At a sure level, it grew to become clear to me that the model Shondaland and the model Shonda Rhimes — which sounds ridiculous to me — are the identical factor.”

As the corporate grows, she’d like her personal significance inside it to minimize over time, she says: “My purpose is that 25 years from now, individuals go, ‘There was a Shonda Rhimes?’”

Shondaland, fashioned in 2005, is beneath the umbrella of Rhimes’ nine-figure deal at Netflix, which started in 2017 and was renewed earlier this yr — the primary of the streamer’s expertise megadeals to advantage a second time period.

In Rhimes’ renewed pact, the bullet factors specify that Shondaland will now be, as Rhimes places it, a “one-stop buying” supply for Netflix for films in addition to all kinds of different kinds of content material.

With digital content material, the 2 sides of Shondaland can feed each other, Rhimes says — as was evident throughout “Bridgerton” mania. “We made all of the behind-the-scenes footage from ‘Bridgerton,’ and we did a bunch of different stuff that goes on the web site. It actually has exploded,” she says.

Among the many new initiatives driving the expansion of Shondaland are its podcast division (launched in 2019) and digital content material on the Shondaland web site (launched in 2017). However even a powerhouse like Rhimes can not do all this alone. She has constructed herself a staff from the bottom up able to executing her imaginative and prescient for the model and taking it to new heights.

Chris Dilorio, Shondaland’s chief technique and enterprise growth officer, oversees the planning and execution of Shondaland’s business initiatives in addition to model partnerships that additional develop the corporate’s storytelling past tv and streaming.

“There’s two halves of the corporate now, actually,” Dilorio says. “There’s the half that’s creating streaming content material for Netflix and doing the ABC exhibits. After which there’s the digital aspect of the corporate that’s dealing with our podcasts, our web site and numerous our merchandise and merchandise.

“So on a day-to-day foundation, there are executives which might be overseeing every of these totally different verticals. And , Shonda has accomplished a extremely good job of bringing in new individuals, a few of whom she’s labored with for years. Different individuals are newer. They’re consultants in these areas to supervise these particular divisions, after which additionally figuring out the place it is smart for us to go and accomplice with outdoors firms or individuals to create the perfect work potential.”

Dilorio is one among a number of Shondaland executives who spoke with Selection, however all of those that did had comparable tales: They started working with Rhimes in a single capability or one other independently earlier than she approached them about coming in-house at Shondaland and serving to her develop the enterprise. Dilorio, for instance, labored with Rhimes for years via his job at high PR agency PMK*BNC earlier than Rhimes supplied him the prospect to work for her immediately.

Or take Tom Verica, Shondaland’s senior artistic manufacturing advisor. He first met Rhimes when he was employed to direct episodes of “Gray’s Anatomy” throughout the hit ABC medical drama’s third season and co-starred in “The best way to Get Away With Homicide.” Over time and continued collaborations, Rhimes requested him to affix the staff completely.

Proper to left: Chris Dilorio joined Shondaland in 2016 as VP of technique and growth. He works to develop the corporate’s storytelling past tv and streaming.; Sandie Bailey, a member of the setdesign division on “Scandal,” joined the corporate in 2016 and oversees in addition to the podcast division and merchandise and experiences.; Tom Verica, tapped to direct episodes of “Gray’s Anatomy” in 2007, was named Shondaland’s senior artistic manufacturing advisor in February. He supervises the day-to-day work on the corporate’s TV sequence and movies.
Dilorio: Katie Osborn; Bailey, Verica: Jay Goldman

“I had trepidations, as a result of I feared I’d change into an govt,” Verica says. “‘Government’ was form of a scary phrase to me as a result of I felt ultimately it will take away from the artistic aspect and eager to be within the trenches, directing and performing. I didn’t wish to be imprisoned in an workplace and simply type of distilling recommendation on issues. Shonda is admittedly superb. She couldn’t have been extra supportive of wanting to listen to what my fears have been. In the long run, I actually noticed a possibility, which she supplied, to have creativity on all these ranges. And actually, after we talked it out, I feel she knew it earlier than I knew it.”

In his present position at Shondaland, Verica displays narrative growth and supervises manufacturing for all the corporate’s TV sequence and movies. He additionally acts as a liaison for expertise and new showrunners and heads up all components involving directing, together with scouting new directing expertise, constructing out Shondaland’s director roster and overseeing something involving mentorship of administrators. He does all of that whereas nonetheless himself directing, as he did on Season 1 of “Bridgerton,” and can once more fill that position in Season 2. He was additionally a consulting producer on Season 1 and might be a co-executive producer on Season 2.

Shondaland’s chief design and digital media officer, Sandie Bailey, made her method to Shondaland by the same behind-camera route. Bailey was initially employed as a part of the set-decorating division on “Scandal.” She now has oversight of, short-form content material movies, the Shondaland audio podcast division and all merchandise and experiences.

“One of many issues that we’re moving into is increasing into the patron product house and experiences,” Bailey says. “And meaning actually working very carefully with Chris Dilorio and his division to search out those who we will accomplice with to create extensions of the tv applications that everyone loves. So the thought is, if everyone seems to be in love with ‘Gray’s Anatomy,’ why don’t we discover a method to prolong that into clothes that they’ll buy? We’re going to do the identical factor for ‘Bridgerton.’ Now we have the ‘Bridgerton’ expertise popping out on the high of 2022. In order that’s been an important undertaking to work on with the Netflix staff and the staff at [production and marketing agency] Fever.”

That undertaking, formally titled “The Queen’s Ball: A Bridgerton Expertise,” launches in 4 cities — Los Angeles, Chicago, Montreal and Washington D.C. — and can enable followers an immersive journey that features issues like a reside string quartet live performance, re-creating moments from the sequence and even interacting with Regency-era characters. Such occasions are a part of what Bailey calls the “360 growth of our programming always.

“The worth of working with any person with the imaginative and prescient that Shonda has is that innovation is likely one of the key tenets of the corporate. We’ve actually been on this journey for some time now, even earlier than [the new Netflix deal] announcement. We actually seemed to know the place individuals are consuming our content material. And we really feel like if you happen to solely have 10 minutes, you’ll be able to learn an article on When you have half-hour, you may take heed to a podcast. When you have an hour, you’re going to go to Netflix and watch ‘Bridgerton.’ However then when you have three hours and just a little bit extra disposable revenue, you’re going to go doubtlessly spend cash on an expertise and luxuriate in it there.”

As for gaming and digital actuality — one other content material space recognized as a part of the brand new Netflix deal — Rhimes isn’t positive but what she desires to do, solely that she’s thinking about these areas. “To me,” she says, “the perfect video games are those that inform the perfect tales.

“It’s important to take into consideration the synergy of all of it. The sport turns into a film that turns into the present that turns into the podcast concerning the recreation — or no matter. It’s all one large world, and that’s superior.”

Rhimes grew to become thinking about digital actuality “a short time in the past,” and acquired some VR headsets to dive in additional. As an instance how digital actuality might play into her personal work, she makes use of for instance “Inventing Anna” — her forthcoming Netflix restricted sequence about Anna Delvey, a 20-something con artist who took New York Metropolis by storm and ended up in jail due to her grifts.

“You could possibly sit in a jail cell with Anna Delvey, the character,” Rhimes says, “and have her clarify to you her plans. That’s an enchanting piece of content material that might exist.

“I feel a part of my ambitions for Shondaland are that we develop as a media firm — as an organization that encompasses extra than simply streaming, extra than simply movie and TV. That we’re telling tales in all areas and ensuring that these areas actually replicate how we realized to inform tales over time — how we realized to be efficient with our viewers.”

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All it is a far cry from the early days of Shondaland, when it principally consisted of Rhimes and her producing accomplice, Betsy Beers. Even in 2007, when “Non-public Observe” spun off from “Gray’s,” Beers says: “It was the 2 of us, I feel, and two assistants. It was a mom-and-mom store.” The corporate now boasts roughly 50 workers throughout its totally different divisions.

Shondaland is just not slowing down on the TV aspect of issues because it expands elsewhere. Along with the multi-season renewal for “Bridgerton,” a Queen Charlotte prequel sequence and “Inventing Anna,” the corporate has a number of different dramas within the works at Netflix. These embody a sequence tackle the Isabel Wilkerson e-book “The Heat of Different Suns” in addition to “Recursion,” primarily based on the Blake Crouch sci-fi novel.

Beers says the corporate can also be seeking to develop the slate into extra comedy, documentaries and unscripted content material.

“Over time we’ve actually, actually needed to do extra comedy,” she says. “We’ve tried it a couple of instances, type of dipped our foot in a couple of instances, and haven’t gotten so far as we’d like. There’s comedy clearly in our exhibits, however we’d like to be undoubtedly focusing, engaged on growing some comedies.”

“Betsy could be very enthusiastic about us doing comedies,” Rhimes says. “I wish to say that’s the ball that Betsy is carrying round. And yeah, I feel we do wish to do comedies. I feel that there’s a enjoyable world there. I imply, it’s fascinating that individuals simply assume that we solely do dramas, since ‘Bridgerton’ is admittedly humorous. ‘Gray’s,’ within the early years, was pretty humorous. ‘Scandal’ had tons and much and plenty of humor for all of its beating individuals to loss of life with chairs, what I imply? There’s numerous ironic humor and darkish humor in our workers. So we actually like a very good comedy. We must always discover the proper ones.”

Beers and Rhimes acquired a style for docs throughout the 2016 election, once they made a biographical film about Hillary Clinton for the Democratic Nationwide Conference. They found, Beers says, “we actually, actually cherished making unscripted content material.”

The primary Shondaland undertaking to debut on Netflix was the 2020 documentary about Debbie Allen’s dance faculty, “Dance Goals: Sizzling Chocolate Nutcracker.” It’s one thing Beers want to do extra of. “I’m an enormous documentary and unscripted fan, and it’s numerous truly what I watch,” she says. “It’s very thrilling to have these different platforms and methods of telling tales accessible.”

Provides Rhimes: “At this second in time, I’ve type of mentioned, ‘Let’s make the initiatives we’ve acquired proper in entrance of us. Let’s make all of these.’ However we’re all the time looking out for a extremely fascinating documentary. And the thought of shifting into unscripted stuff is large for us. I feel that there’s a complete world on the market of unscripted programming that might be — not competitors programming however unscripted programming — that might be actually fascinating for us.”

Bela Bajaria, head of worldwide TV at Netflix, says, “It was a really pure, natural factor” to make one other take care of Shondaland, and that the streamer could be very supportive of something Shondaland desires to provide for it within the coming years.

“The doc house is a vital house to us,” Bajaria says, citing the success of Shondaland’s Debbie Allen movie. “So I feel that may be nice. And what we hope for her, having an prolonged, multiyear relationship and residential right here, is that she will do these dramas. She will be able to construct ‘Bridgerton’ out into this type of bigger form of universe. She does have a possibility to delve into the gaming world and digital actuality. And once more, if there’s one thing she desires to do within the doc house or, in fact, the comedy house, that’s nice.” It’s a relationship, says Bajaria, that’s long run and supplies Shondaland with a strong residence base: “She will be able to discover [as] many elements of that storytelling [as] she desires.”